Latest Movie Reviews | Online Movie Reviews | Fair Movie Reviews | Europe

“King Corn” is a gentle, meandering entry in the Truth-Seeking Comic Hero genre, as practiced by Michael Moore and Morgan Spurlock.

Eerie, muddled and gorgeous, “Khadak” tells the story of an epileptic Mongolian sheepherder who embraces his destiny as a shaman when his village is threatened.

Even by the extravagant standards of Bollywood movies, “Bhool Bhulaiya,” a lavish comic epic about psychiatry, mythology and spiritualism, has a lot of plot.

In “Naked Boys Singing!” 10 grown men (including one natural redhead) go full monty while belting out show tunes and high-kicking like muscular Rockettes.

Where “Control” might have been literal-minded and sentimental, it is instead enigmatic and moving, much in the manner of Joy Division’s best songs.

What happens when idealism becomes power? That question is the driving force of Jeremy Kagan’s inert yet strangely compelling film “Golda’s Balcony.”

Aesthetics versus storytelling: as much as anything, that is the issue that defines the 45th New York Film Festival.

There seem to be enough current and planned movie projects about musicians to fill a jukebox.

This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark Wahlberg), virgin queens (Elizabeth: The Golden Age, starring Cate Blanchett). What say ye, critics?

Renowned rock photographer Anton Corbijn comes full circle this week when his award-winning feature film debut, Control, debuts stateside. Corbijn spoke exclusively with RT to discuss music videos, Joy Division, and his critically acclaimed (and Certified Fresh) rock biopic.